1887 Was A Good Year

Raymond Walburn (1887-1969)

Walburn was an American character actor on stage and screen, appearing in dozens of Hollywood movie comedies and the occasional dramatic role. He made his splash in both "A" and "B" movies in the 1930s with continued success with his more famous rotund physique in the 1940s. Noted for his trademark bulging eyes, arched brows and pompous attitude, few could compete with his windbag characters, demonstrated so perfectly in Preston Sturges's Christmas in July (1940), or Hail the Conquering Hero (1944). Walburn was the perfect choice for any bombastic bumbler of words or haughty stuffed shirts, often as a mayor, judge, or business owner. On the other hand, a few of his butler portrayals could be quite reserved and properly knowing his place.

Eric Blore (1887-1959)

Blore was an English actor and writer. After numerous stage plays during the 1920s in London, he made a career move to New York City in Broadway revues and musical comedy productions. He made over sixty Hollywood films, becoming best known for playing butlers or superior domestic servants. His over-the-top British accent was always impeccably precise with lines delivered with barbed irony. In addition to his sometimes condescending attitude were his facial expressions, most notably with one incredulously raised eyebrow. Blore gained notice in the Fed Astaire and Ginger Rogers musical comedies, The Gay Divorcee (1934) as a waiter with an astounding knowledge of obscure subjects, and in RKO's most profitable film of the 1930s, Top Hat (1935), in which Blore plays a sarcastic personal assistant named Bates. However, he introduces himself as if he is a corporate entity, graciously stating, "We are Bates." He provided levity as the not-quite-reformed jewel thief and sidekick to Warren William in three Lone Wolf film series in the late Thirties.

Note: Both actors were born the same year and died one decade apart.

Synopsis: Thrust Into Television

Many movie character actors found steady work and arguably more exposure with the advent of television. 

FRANK FERGUSON (1899-1978)

Frank Ferguson was a character actor who made his film debut in 1940. In that decade he appeared in modern-day dramas as a detective, a father, and a reporter, as well as being cast in the occasional comedy. Based on his distinct barrel voice, his ever-present mustache, and an everyman's face, Ferguson was a natural in Western films—nearly two hundred. A few of those are quite notable, but Ferguson was often uncredited. He could play anything from an outlaw, a sheriff, a disgruntled farmer, or a friendly, though maybe dishonest, store clerk. He was a very valuable and natural performer in which many directors found a character worthy of his talents. 

However, the bespectacled actor was most seen from his frequent television appearances over twenty-plus years. In a wide variety of roles, Ferguson was often a public servant. He might be a doctor, a military officer, a bank teller, a police officer, or a businessman. With little surprise, he even played a hobo on the Leave It To Beaver comedy. He was the familiar face of many popular dramas, and of course, nearly every television Western. His final appearance was on the pioneer era series, Little House on the Prairie, in 1976.